Norman Rockwell and the Civil Rights Paintings

Fifty years after he first started doing work for the magazine, Norman Rockwell was tired of doing the same sweet views of America for the Saturday Evening Post in the early 1960s.   The great illustrator was increasingly influenced by his close friends and loved ones to look at some of the problems that was afflicting American society.  Rockwell had formed close friendships with Erik Erickson and Robert Coles, psychiatrists specializing in the treatment of children and both were advocates of the civil rights movement.  His most profound influence was his third wife, Mary L. “Molly” Punderson, who was an ardent liberal and who urged him in new directions.  On December 14, 1963, Rockwell did his last cover for the Saturday Evening Post and he began working for Look magazine.   Look magazine finally gave Norman Rockwell the opportunity to express his social concerns.

Rockwell’s first painting was The Problem We All Live With, one of his greatest paintings.  This painting depicts Ruby Bridges, the little girl who integrated the New Orleans school system in 1960, being escorted to her class by federal marshalls in the face of hostile crowds.  It’s a simple picture, the disembodied figures of 4 stiff suited men and the vulnerable yet defiant figure of a school age African American girl marching lockstep.  To the right is a tomatoe staining a wall, obviously thrown at the girl but just missing.   My eyes focus on the girl and her immaculate white, a contrast to the grafittie stained wall in the background.  As a painting it’s a wonder, with it’s composition conveying Rockwell’s message in a few simple figures.  To look at the picture, go to

An even greater departure from Rockwell’s usual sweet America paintings is Southern Justice, painted in 1963.  Rockwell did a finished painting, but the editors published Rockwell’s color study instead, and I think his color study conveys the terror of the scene more successfully.  It depicts the deaths of 3 Civil Rights workers who were killed for their efforts to register African American voters.  It is done in a monochrome sienna color, and it is a horrifying vision of racism.   A look of it can be seen in

Rockwell’s most optimistic view of the civil rights movement was Negro In The Suburbs, painted in 1967.  It depicts an African American family moving into a white suburban neighborhood.  The African American childrens look over by the kids in the neighborhood, with all the children sharing a love of baseball, America’s game.  This painting can be found in

My favorite Norman Rockwell paintings were those that he painted from the 1940s to the 1960s.  Rockwell’s paintings for Look were I think some of his greatest, and they showed an artist that was always willing to take risks.   Rockwell is often nowadays seen nowadays as a conservative painter of American myth, but these Civil Rights paintings show a liberal sensibility concerned about the problems of living up to our American ideas.   These paintings are, in my estimation, comparable to Goya’s paintings of the horrors of the massacre of the Spanish people by Napoleon’s troops, or Daumier’s illustrations of the corrupt political order.    In the year 2001, I visited the Norman Rockwell Museum in Stockbridge, Massachussetts.  It is situated in a beautiful wooded area.  When I visited the museum and looked at Rockwell’s paintings face to face, I felt like I was visiting an important part of American history.    I didn’t see the Civil Rights paintings during my visit, but I saw many of his other paintings and it gave me an appreciation of Rockwell as an artist.  To know more, look at

About angelolopez

I’ve wanted to be an artist all my life. Since I was a child I’ve drawn on any scrap of paper I could get a hold of. When I went to San Jose State University, I became more exposed to the works of the great fine artists and illustrators. My college paintings were heavily influenced by the humorous illustrations of Peter De Seve, an illustrator for the New Yorker magazine. I also fell under the spell of the great muralists of the 1930s, especially Thomas Hart Benton and Diego Rivera. I graduated with a degree in Illustration. Angelo Lopez has had illustrations published in Tikkun Magazine, the Palo Alto Daily News and Z Magazine. From April 2008 to May 2011, Angelo's cartoons were regularly published in the Tri-City Voice, a weekly newspaper that covers the Fremont, Hayward, Milpitas, Neward, Sunol and Union City areas in California. He did a political webcomic starring his cartoon character Jasper for the progressive blogsite Everyday Citizen. Since December 2011, Angelo does a regular weekly political cartoon for the Philippine News Today, a Filipino American newspaper based in the San Francisco Bay Area. Angelo is a member of the Sunnyvale Art Club, and the Northern California chapter of the Society of Children's Book Writers and Illustrators. During the 1990s, he was a member of the part-timer workers SEIU unit in the city of Sunnyvale. Angelo won the 2013, 2015 and 2016 and 2018 Sigma Delta Chi award for editorial cartooning for newspapers with a circulation under 100,000. He has also won the 2016 RFK Book and Journalism Award for Editorial Cartoons. Angelo won first prize for the Best of the West contest in 2016 and third prize in 2017. Angelo is married to Lisa Reeber. They enjoy taking walks, watching movies and hanging out with their nieces.
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3 Responses to Norman Rockwell and the Civil Rights Paintings

  1. Katy Widrick says:

    I thought you might enjoy this story that we did on a Florida woman whose family served as models for Normal Rockwell.


    Katy Widrick
    Executive Producer,

  2. angelolopez says:

    Thank you Katy for the link. It’s great.

  3. stphoto says:

    Check out Kevin Rivoli’s new book on Norman Rockwell. The link to my blog is listed in the related posts which talks about it.

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